PARALLEL ART FOUNDATION
Adrienn Szövérffi - Lukács Sámuel Tompa
Horse on Display
2025.04.01 – 26.
PUCCS Contemporary Art
Opening: 2024, March 31, 6-7.30pm
Official event of Budapest Photo Festival 2025.
The photographic installation points to the current situation of the Roma community in Budapest and the problems of social exclusion. Under socialism, the integration of Gypsies into the labour market and their relocation to cities required a lifestyle and cultural adaptation, which was made more difficult by the lack of education and vocational training, increasing their exclusion. Trying to take the customs of rural life (including their domestic animals) with them, they created absurd situations.
The Muybridge horse behind the bars symbolises the traditional occupations of this ethnic group as well as the loss of the gallery's classical function. The symbol of movement now stands motionless, locked up, without its rider, pointing to a universal history where the values of the past can become the prison of modernity. The work requires an active viewer's approach, and when viewed from a central perspective, the projection of the grid disappears, inviting the viewer to search for a solution.
Adrienn Szövérffi's work explores the nature of personal identity and current social issues. She draws from a photographic toolkit that supports her chosen subject matter in both content and form, and through her installations, she offers further interpretations of the topics she explores.
Lukács Sámuel Tompa is particularly interested in experimenting at the boundaries of moving images and photography. Through this, he seeks new tools to achieve a more complex and expressive visual language.
They have presented their collective and solo works in several group exhibitions, including the Robert Capa Contemporary Photography Center, Telep Gallery, Artus Studio in Budapest, Fondation Vasarely in Aix-en-Provence and OFF Bratislava.
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PUCCS Contemporary Art, 1084 Budapest, Víg u. 22.
Organised by Parallel Art Foundation
Curator: Gábor Pintér
www.parallelfoundation.com
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Bálint Gutay
How deep an iceberg is
2025 April 14 - May 25
> Budapest Photo Festival <
How deep an iceberg is photography project of Bálint Gutay is dealing the social transformation and digital revolution of the past twenty years, considering these two as one conceptual unit. Social transformation sparks the digital revolution and the digital revolution chaos and reorganises society. Public versus private, real identity versus virtual persona. Is there a way out, or can we only mitigate the inevitable fate.
[photo: Ádám Kuttner, Fresh meat, K6 Gallery, 2024]
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Hanna Szabó-Sáfrány
I missed a spot
Cairo Contemporary, Budapest
1071 Budapest, Lövölde tér 7.2025, May 31 - July 27
On view 0-24hHanna Szabó-Sáfrány, Budapest-based visual artist and electronic musician. In her project-based works, she focuses, in many cases, on comically exaggerated physicality, such as the grin, the parasitic body hair, or the reproduction on assembly line. Her visual mind-maps and objects are dealing, among other things, with fictional notions of the reproduction of the human being, or with contemporary assumptions about the body's ancient past.
I missed a spot is one of a series of chameleon-like puppet installations, with the recurring element of three grinning heads and their lithe bodies. The puppets change character in different appearances and adapt to their environment. This provides an opportunity to contextualise their grins, making them sometimes compulsive, sometimes seductive, and in other cases exaggerated as a reaction to existential crisis. I missed a spot, exhibited at the FKSE Gallery in February 2025, took the form of a person compulsively cleaning a dusty basement in an attempt to achieve shiny surfaces. This summer, she will activate herself in the space of Cairo.
Hanna Szabó-Sáfrány (2001) is currently studying painting at the Hungarian University of Fine Arts. In 2024, as part of the international MUTO Project "If There's a Common Thread" exhibition series, she participated in an art colony in a nuclear bunker in Zlín. She occasionally performs and/or exhibits at electronic music events (Zaj+, KamaRave, Képzaj, Memphis Series, Wounded Healer). She is the winner of the 2024 Telekom Electronic Beats SZELEKTOR. Since 2024, she is a member of the Young Artists’ Studio Association, where she participated in the debut exhibition "Verbs of Existence" for new members.
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Curator: Gábor Pintér
Cooperation partner: Bischitz Johanna Integrated Human Service Centre
instagram.com/Cairo.Contemporary
instagram.com/parallel.art.foundation
Zsuzsanna Szentpéteri
Anyone
Cairo Contemporary, Budapest
1071 Budapest, Lövölde tér 7.2025 February 7 - March 31
On view 0-24hThis early stage of development is not so far away from the archetype of vertebrates. Yet it represents a physical form of our unknown past, there is even a conventional uncertainty to what extent could it be considered as part of our life. The relationship between formative forces and the individual soul remains to be explored: all our experience relating to this period is inaccessible, the wideness of our possibilities are unforeseeable.
As a sculpture student at the Hungarian University of Fine Arts, Zsuzsanna Szentpéteri is most interested in the artistic approach to epistemological problems: through the illusions of perspective anamorphosis, transparency and reflection, she explores the subjectivity of spatial experience, the boundaries of the relationship between body and soul, the self and the outside world. She also deals with thematic representations of natural phenomena and current social problems.
For interiors, she mainly creates large-scale installations, using a variety of materials and technical solutions to suit the concept. For years, she has been a regular participant in the Nature Art Open Workshop residency programme at the National Botanical Garden in Vácrátót. Her landart work is located in Scotland and was created as part of a community project. She has had several solo exhibitions at the Calvary in Epreskert, and has been included in group exhibitions at 1111 Gallery, MAMŰ Gallery, ISBN Gallery, FUGA and HfBK Dresden. In 2024, the Ferenc Hopp Museum of Asian Art exhibited one of her works in the museum garden.
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Curator: Gábor Pintér
Cooperation partner: Bischitz Johanna Integrated Human Service Centre
instagram.com/Cairo.Contemporary
instagram.com/parallel.art.foundation
Katalin Szeivolt {SzeKa}
Windless
2025, February 26 – March 23
PUCCS Contemporary Art
Opening: 2025, February 25, 6-7.30pm
Katalin Szeivolt's installation in the space of Puccs was born from her "encounter" with Kacusika Hokusai. She began to work more closely with the master's oeuvre as a museum educator at the Ferenc Hopp Museum of Asian Art. She studied the all-encompassing "Great Wave" and created her own waves. Encounters through the dense tapestry of time, from which visions on shredded canvas were born.
Windless is a great sea of tears, drawn, painted, sculpted, a rippling world of tears, of inner weeping and sobbing, of joy and sorrow. A still image, a situation report, an assessment and awareness of stuckness and aimlessness. The question is, 'where to next?'
Katalin Szeivolt graduated in 2000 from the painting department of the Hungarian University of Fine Arts, where her master was Károly Klimó. As a young artist, she had several solo exhibitions, mostly in non-classical exhibition spaces, in line with her work. After a longer period of artistic activity, she recently started to show her work again. In addition to her creative work, art education has been a priority in her life, running her own drawing school until 2020, and is currently a museum educator at the Ferenc Hopp Museum of Asian Art.
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Puccs Contemporary Art, 1084 Budapest, Víg u. 22.